Recording and Production News
Luke Fellingham invests in an Orpheus for his Luna Sound Mastering facilityCambridge, UK: One year after acquiring his first Prism Sound Orpheus FireWire computer interface, engineer Luke Fellingham has invested in a second unit so that he has access to 16 channels of Prism Sound conversion for multitrack recording projects.
Fellingham is the owner of mastering facility Luna Sound, which is housed in the ICC Studios complex in Eastbourne. When he moved his Luna Sound operation into a former mastering studio at ICC, he took the opportunity to refurbish the room's acoustics and to invest in some new equipment. One of his key purchases was the Prism Sound Orpheus unit, which he now uses for all analogue to digital and digital to analogue conversion.
"I've been very happy with the quality of the sound that I get from Orpheus, so when my brother and I began recording a new album with our band Phatfish, we decided to buy a second unit so that we could scale up our conversion to 16 tracks for multitrack sessions. The flexible connectivity enabled us to quickly integrate the Orpheus units into the existing studio setup. The extra tracks meant we could record the whole band without having to compromise the sound."
Phatfish, a popular addition to many Christian events and conferences, consists of Luke Fellingham, his brother Nathan and sister-in-law Lou Fellingham, Mike Sandeman, Jos Wintermeyer and Ben Hall. The band's new album, In Jesus, was recorded at producer Kavan frost's Blue Room studio and was subsequently taken back to Luna Sound for mastering.
"Luna Sound's set-up is based around a Logic system, which I use in conjunction with various analogue EQs and compressors," Fellingham explains. "Having Orpheus has helped improve the quality of my conversion so that I get the best out of my outboard gear. Because it runs its own built-in low-jitter digital clock, it has also made my mastering system much more stable."
Now that the project has been completed Nathan Fellingham, who is a producer and songwriter, has taken the second Orpheus back to his home studio where he is using it for general programming and production work.
"We had no hesitation in buying another Orpheus because we knew from experience that the sound quality would be amazing," Luke Fellingham says. "It is such a flexible unit and the fact that it is a one box solution makes it incredibly easy to use."
Luke Fellingham is now working on a number of mastering projects for ICC's own record label including various projects for New Wine and Spring Harvest. The new Phatfish album was released on June 4th and is available through the band's website - www.phatfish.net
|Bob Katz To Deliver Prism Sound's US Mic To Monitor Keynote Speech
This popular educational seminar is returning to the USA in March 2017 with a series of events for students, hobbyists and recording professionals. . . . (27th February 2017)
|Doc Powell Brings Prism Sound Clarity To His Latest Studio Project
The Grammy nominated guitarist and producer is using the company's Atlas Audio Interface for the entire recording process. . . . (23rd February 2017)
|Hugh Hardie Adds Prism Sound's Renowned Audio Quality To His Workflow
The acclaimed drum & bass producer has made the company's Lyra Audio Interface a key component in his Bristol-based project studio. . . . (27th September 2016)
|Prism Sound's 2016 Mic to Monitor Tour Heads to BPM PRO
Over the course of two days, there will be inspirational panel discussions, informative seminars and opportunities to demo high end equipment. . . . (31st August 2016)
|Producer/Remixer Glen Nicholls Buys Two Prism Sound Titans
The units are providing all the inputs Nicholls needs to connect to a range of tape machines and outboard FX. . . . (30th August 2016)
|Prism Sound at AES Los Angeles 2016
The company will show its flagship ADA-8XR multichannel converter and its full range of USB audio interfaces. . . . (23rd August 2016)
|B-Side Project Launches 2016 Annual Global Remix Contest
Registration for B-Side Project 2016 is officially open, marking the sixth consecutive year of the renowned, global remix contest . . . (19th August 2016)
|Classical Supremo Paul Carasco Adds A Prism Sound Atlas Audio Interface To His Recording Rig
The renowned Australian pianist, sound engineer and film director is using Atlas to simplify his workflow. . . . (17th August 2016)
|Benjamin Braxton Puts Prism Sound ADA-8XR Converters At The Heart Of His New Project Studio
The French DJ, composer and producer cites their open, detailed sound as a main reason for his investment. . . . (6th June 2016)
|Prism Sound Launches New Additions for Titan and Atlas
The company is introducing new Pro Tools MDIO-HDX modules for these award-winning professional audio interfaces and will show them at AES New York 2015. . . . (19th October 2015)
|Airshow Mastering Installs Its Fourth Prism Sound SADiE System
The company pays tribute to Prism Sound's decades of customer support and dedication to quality audio. . . . (18th October 2015)
|Steerpike Studio Stays Committed To Prism Sound Converters
After upgrading to Pro Tools HDX, Sting's private facility has invested in Prism Sound's HDX Interface Cards to ensure the longevity of its prized ADA-8 converters. . . . (9th July 2015)
|Prism Sound Helps Preserve Unique Tanzanian Music Recordings
Prism Sound's Lyra Audio Interface proves easy to use and delivers great quality. . . . (9th July 2015)
Subscribe to this as an RSS Feed
See Also: News Archive